уторак, 17. септембар 2019.




 FRICTION



Belgrade City Library – Gallery Atrium



Friction

A Judeo-Christian view of the West is characterized by the belief that history has an objective or at least a direction. Conversely, the understanding of history in non-Western cultures and inPre-Socraticopinion was determined by the cyclical idea of eternal return. Then, the Enlightenment changed the idea of the time flow…..
Georg G.Iggers: Historiography in the Twentieth Century.


Friction is a multimedia exhibition resulting from the experimental film Friction[1](premiered at the 65th edition of The March Festival – Belgrade Documentary and Short Film Festival, 2018).

The idea of this exhibition is to transgress the line between certain media, where the content would flow from one medium into another, while constantly emphasizing the threshold between them.

It is a postmodern process which draws the basic content into several directions, diversifying it, where each branch still belongs to the source, but is at the same time a new conceptual and thought form with its own narrative and its own artistic identity. By examining the narrative as well as the abstractness of the form, this exhibition accentuates the multitude of interpretation of the works themselves and the diversity of experience in the observer.

A symbolic intent permeates throughout the film - different circular forms which suggest the continuity of the time flow through cyclical processes. Through works in the artistic form, the time flow itself is reduced to abstract images, which have no beginning or end (as features defining the abstraction), however,micro manifestations may be perceived in them, which, by their presence, deconstruct the entire idea of Absolute-abstraction, placing the movie and artistic manifestations emerging from it in an ambivalent and interactive relationship. By building a boundary zone, open to all types of interpretation and reading, the boundary zone of indeterminacy, this exhibition emphasizes that the only valid gravity point is our own individual experience, the viewpoint which participates in the transmutation of consciousness and helps us to see reality in a completely new and extraordinary way.

Such a view allows for a wide array of expressive means and experimental complexity by examining the stylistic crossing of abstract and figural (real) elements and not relating to one expressive style only. By establishing the framework of the inner system, this exhibition seeks to develop the language capable of causing various paths of penetration into an inert everyday life, thus creating a language system through which the effects of deconstruction, nominalism, recycling, permeation and eclecticism pervade.







[1]The film Friction, through various formal manifestations and their simultaneous perception, refers to the very process of perception and re-examination (of the perception process) through different thinking systems.